On the first day of music history class at the Oberlin Conservatory in 1967, our professor asked, “What is music?”. It was like a Zen kōan, and everybody contemplated it for the rest of the semester. We continued to learn music of the classical European repertoire, but I don’t remember if there was an answer to… Read more »
VIRGILIANA We kicked off 2013 with two premieres. At the New Music Festival at the University of Toronto we presented the newly-commissioned work “Virgiliana” by Canadian composer Norbert Palej. It was his strong response to “Naples’ sun-bathed heat” and the “cool damp gloom and millennia-old mysteries” of the caves and grottos associated with Virgil and… Read more »
LUMINOUS ACOUSTICS In July 2010 we returned to Garry Kvistad’s “Woodstock Beat” event at Maverick Hall just outside Woodstock NY. We were joined by Sō Percussion and Steve Reich as we had been in 2008 at the Ojai Festival in California. The occasion was the 40th anniversary of the writing of Reich’s “Drumming”. We too… Read more »
DANCE MUSIC FOR ELFRID IDE HERE is a radio show aired of Garry and Russell in conversation with Laura Kuhn, Exec.Dir. of the John Cage Trust at Bard College. They had fun talking about Cage and sundry related topics. You will also hear 2 movements of our recording of Cage’s Dance Music for Elfrid Ide,… Read more »
1995 CATHEDRAL SONGS, PEEPERS and COLGRASS CBC Producer David Jaeger had asked the Winnipeg Symphony’s composer-in-residence Glenn Buhr “to compose a piece that would be an expression of musical community building. The work would be designed as a surround-sound symphony for performance in the Barbara Frum Atrium at the new CBC Centre: on the ground… Read more »
#NEXUSat50 1988-1989 EVERYBODY’S WRITING! In the midst of the heavy 1988 travel schedule we somehow found time to compose! Toronto concerts and a Stamford CT concert in 1988 saw premieres of new works, as did Merkin Concert Hall in New York City in 1989: “Lali-Pops” by Wyre (not related to the movie that was just… Read more »
#NEXUSat50 1982 PLAYING WITH POETRY We spent 3 days at Toronto’s McClear Place with 78-year-old poet Earle Birney, recording a 3 volume set. Released in LP and audio cassette format, they have never been re-issued as CDs, but 2 of the poems were included in our later “The Best of NEXUS” CD. We had… Read more »
1975: DIFFERENT MUSIC We continued performing our George Hamilton Green ragtime arrangements. Bob Becker was totally smitten, and says, “I was tracking down all of it”. For two appearances, we played rags and also our improvisation at the famous (or infamous) Bohemian Embassy coffeehouse in Toronto which (thanks to founder and long time CBC performer… Read more »
Hi all. We hope all of you are keeping well and STAYING HOME! All of us here are doing fine. Thank you to all of you who have continued to visit our Facebook page, and to our new Facebook followers who have come on board in the last few weeks. There have been quite a… Read more »
In 1993 two major composers – Michael Colgrass and Bruce Mather – began work on commissions for NEXUS. Mather, an intimate friend of Robin Engelman, had already composed two quartet pieces for us: Clos de Vougeot (recorded on the LP Changes in 1982) and Clos d’Audignac (recorded on the CD Rune in 1997). The new… Read more »
In 1989 Carnegie Hall announced a series of commissions to celebrate the hall’s 100th anniversary season in 1990/91. A former member of our management team, Costa Pilavachi, recommended NEXUS be the featured soloists in a new piece by Toru Takemitsu, to be premiered with the Boston Symphony Orchestra and Seiji Ozawa. A concerto by Takemitsu… Read more »
