On the first day of music history class at the Oberlin Conservatory in 1967, our professor asked, “What is music?”. It was like a Zen kōan, and everybody contemplated it for the rest of the semester. We continued to learn music of the classical European repertoire, but I don’t remember if there was an answer to… Read more »
AUDIENCE PARTICIPATION In 2003 we commissioned a new work from the distinguished Canadian composer Christos Hatzis, thanks to a Laidlaw Foundation grant. We premiered his piece “Four rituals for Percussion Quintet, Chorus and Audience in Dec.2004 in Toronto, and you can hear a 2005 performance at the Baie des Chaleurs Chamber Music Festival in Dalhousie,… Read more »
