Blog

What is a Xylorimba?

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(Are the overtones tuned differently in various ranges of its keyboard?) The term ‘xylorimba’ clearly refers to some kind of hybrid instrument, but it depends on who is using the term, and when. Even the word itself is a composite: xylo is the common Greek root meaning ‘wood’; and rimba is an arbitrary clipping of… Read more »

“Delightful, intense and deftly planned”: The Rochester reviews

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What a fabulous response to Toru Takemitsu’s “From me flows what you call Time…” performed by NEXUS with the Rochester Philharmonic Orchestra under the direction of Peter Bay. The reviews are in, and…my oh my! Jeff Spevak, music critic for The Democrat & Chronicle, says “the night belonged to the sparkling collaboration between the RPO… Read more »

Xylophone vs. Marimba: more thoughts.

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In April, 2013 I received an email from Jesse Strauss, a student at Belmont University, asking for my thoughts about an article by Vida Chenoweth in which she reached some conclusions about the terms ‘xylophone’ and ‘marimba’. I have discussed the distinctions that differentiate these terms in clinics, as well as in the Xylorimba article… Read more »

Russell talks about his long association with Steve Reich

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In case you did not see our Facebook posting we wanted to alert you to this great article by Daniel Tones.   Daniel interviewed Russell a few years ago about the music of Steve Reich. Russell was the first trained percussionist to join Steve’s ensemble and has collaborated with Steve for over 40 years. Our friends… Read more »

Michael Craden – “The Artist’s Advocate”

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Michael Craden (1941 – 1982) was one of the original members of NEXUS until his passing in 1982.  He was formally educated in the visual arts – painting and sculpture – but he was entirely self-taught as a musician.  When NEXUS was in its formative period in the late 1960s, Michael was living in Toronto,… Read more »

The beautiful Eastman Theatre: Countdown to May 9 and 11

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NEXUS is counting down the days to their May 9 and May 11 performances with the Rochester Philharmonic of Takemitsu’s extraordinary 1990 concerto, “From me flows what you call time…”. The performances and pre-concert chats will take place in the beautiful Eastman Theatre in Rochester. The Theatre celebrated its 90th birthday last year and has… Read more »

NEXUS with the Eastman Wind Ensemble in May

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In mid May NEXUS will be performing with America’s leading wind ensemble, the Eastman Wind Ensemble conducted by Mark Davis Scatterday during MusicFest Canada, a huge educational event being hosted by Toronto. The EWE has been in existence for 60 years and has a core of about 50 performers who are undergraduate and graduate students… Read more »

NEXUS brings their “sonic feast” to Rochester in May

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Nexus is preparing for performances May 9 (7:30) and May 11 (8:00) with the Rochester Philharmonic in Kodak Hall at Eastman Theatre. There will be a Pre-concert chat one hour before concert time, on both days. NEXUS will be performing their signature concerto “From me flows what you call Time…” by Toru Takemitsu, (a piece… Read more »

Saint Saens “Bacchanale” Castanets

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The following recent email exchanges took place upon my receiving an email question regarding my earlier blog posting – “Instruments You Can’t Buy (Part 1 – Orchestra Repertoire).” Email:  I appreciate your posting about the metal castanets in the Saint-Saens “Bacchanale” from “Samson and Dalila.”  Is that part playable if the metal castanets aren’t mounted… Read more »

Pendulum Waves, Siren Discs, and Pink Noise

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Garry Kvistad, our resident “science guy” sent me this video awhile back. Take a minute and a half to check it out. Kind of amazing, isn’t it! The video was posted on Harvard’s Science Demonstrations site which tells us that the pendulums “dance together to produce visual traveling waves, standing waves, beating, and random motion.”… Read more »

Bill: Bass Drum Afficionado

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A few weeks ago we looked at cymbals. Today – the Bass Drum. Bill has posted a highly entertaining and heartfelt tribute to the Bass Drum called Bass Drums Anonymous. In it, the Bass Drum speaks of the sadness of towels and other mutes that curtail her resonant undampened sound, the lack of respect for… Read more »

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