In October 2020 percussionist Jonny Smith asked me a series of questions regarding my experience with the music of Steve Reich, and my relationship with his ensemble. Jonny interviewed other members of Reich’s ensemble as well, and wrote a paper: “Relationship and Community in the Creative Process: The Steve Reich and Musicians Ensemble”, which is… Read more »
I was saddened to learn of the recent passing of pianist Chick Corea, a giant in the jazz world and a pioneer in the fusion of jazz, rock and world music. Few musicians can claim to have had such an impact on future generations of artists. Having known the vibraphonist Gary Burton since the early… Read more »
In January 2021 percussionist Antti Ohenoja asked if I would answer a series of questions about drum rudiments from members of the N.A.R.D. in Finland. The original National Association of Rudimental Drummers was organized in the United States in 1933, and was responsible for choosing the “thirteen essential rudiments” still taught and practiced today. I… Read more »
In February 2020, just before live concert music disappeared due to COVID, I was able to present two concerts of my vocal chamber music in Toronto. The first, on February 4th, was part of the Canadian Opera Company’s Vocal/Chamber Music Series in the Richard Bradshaw Amphitheatre; and the second, on February 6th, was included in… Read more »
In June, 2020 I received a series of questions from SGM Mark Reilly, rudimental champion, composer and Corps Sergeant Major of the U.S. Army Old Guard Fife and Drum Corps. Mark’s questions and my answers follow. MR. Who was your first big inspiration and why? BB. I should say that my first teacher, James S…. Read more »
In August, 2020 I received a series of questions from percussionist Lan KaiPo regarding my piece Never in Word (1998). Below are Lan’s questions and my answers. LK. When notating percussion instruments that are transposed (bells and crotales) do you ever question whether you should write the actual sounding pitch instead of the traditional lower… Read more »
I first met Ron Snider in the 1980s while touring with Steve Reich and Musicians and later while working with NEXUS Percussion. Besides being an amazing musician, a loving husband and father, an expert in world music and inventive designer and builder of musical instruments, Ron was a wonderful human being. His recent untimely passing… Read more »
In 1967, I was 17 and was about to start college in the fall. My hometown of Franklin Park, Illinois was celebrating its 75th Anniversary Diamond Jubilee on August 3rd of that year. All the men in town were asked to grow a beard for the parade, and, being the good citizen that I was,… Read more »
In 1997-98, I conducted a series of interviews with percussionists to discuss their thoughts on rhythm. The following is an excerpt from my interview with John Wyre (1941-2006) that took place on December 15, 1997 in Birmingham, England where Nexus was performing the Takemitsu percussion concerto with the City of Birmingham Symphony Orchestra. … Read more »
In 1997-98, I conducted a series of interviews with percussionists to discuss their thoughts on rhythm. The following is an excerpt from my interview with Sharda Sahai (1935-2011) that took place on December 12, 1997 in Southall, London, England. Teaching Time Feel RH When you teach students tabla in a… Read more »
In 1997-98, I conducted a series of interviews with percussionists to discuss their thoughts on rhythm. The following is an excerpt from my interview with Bob Becker that took place on February 6, 1998 while Nexus was on tour in Des Moines, IA. Early Rhythmic Study RH How did you develop an accurate sense… Read more »
In 1997-98, I conducted a series of interviews with percussionists to discuss their thoughts on rhythm. The following is an excerpt from my interview with Alan Abel that took place on March 29, 1998 in Wynnewood, PA. RH How did you develop an accurate sense of time? AA When I was really young,… Read more »
Tragedy. “A drama typically involving a person destined to experience downfall or destruction, as through a character flaw, or conflict with some overpowering force such as fate or an unyielding society.” Hubris. “An extreme and unreasonable feeling of self-confidence.” Posthumous. “Published after the death of the author.” In May of 2001 I began work on… Read more »
In September 2020 I was invited by British percussionist Jonathan Curtis to take part in his snare drum research project. Details about his work can be viewed HERE. Jonathan was particularly interested in some of the ideas in my book Rudimental Arithmetic, as well as more generally about composing music for solo snare drum…. Read more »
This month – October, 2020 – Keyboard Percussion Publications released a new edition of my Eight Etudes for Snare Drum. The etudes included in the collection were composed during 2005 and 2006, and formed the seventh and final part of Rudimental Arithmetic – A Drummer’s Study of Pattern and Rhythm, published by KPP in 2008…. Read more »
